By Annemarie Bean

A Sourcebook on African-American Performance is the 1st quantity to think about African-American functionality among and past the Black Arts move of the Nineteen Sixties and the recent Black Renaissance of the 1990s.
As with all titles within the Worlds of Performance sequence, the Sourcebook includes vintage texts in addition to newly commissioned items via remarkable students, writers and performers. It contains the performs 'Sally's Rape' via Robbie McCauley and 'The American Play' via Suzan-Lori Parks, and is derived entire with a considerable, old advent via Annemarie Bean.
Articles, essays, manifestos and interviews incorporated disguise subject matters such as:
* theatre at the expert, progressive and faculty stages
* live performance dance
* neighborhood activism
* step shows
* functionality art.
Contributors contain Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.

Show description

Read Online or Download A Sourcebook on African-American Performance: Plays, People, Movements PDF

Similar theater books

African-American performance and theater history : a critical reader

An anthology of severe writings that explores the intersections of race, theater, and function in the US.

The Senses in Performance

This ground-breaking anthology is the 1st to be devoted to assessing seriously the position of the human sensorium in functionality. Senses in functionality provides a multifaceted method of the methodological, theoretical, functional and historic demanding situations dealing with the student and the artist. This quantity examines the sophisticated activities of the human senses together with flavor, contact, scent and imaginative and prescient in every kind of performances in Western and non-Western traditions, from ritual to theatre, from dance to interactive structure, from functionality paintings to ancient opera.

Postmodern Theater & the Void of Conceptions

Assorted symbolic traditions have other ways of describing the shift of expertise towards sacred occasions. whereas no longer conforming to regular states of phenomenality, this shift of understanding corresponds to Turner's liminal part, Artaud's metaphysical embodiment, Grotowski's 'translumination,' Brook's 'holy theater,' and Barba's 'transcendent' theater - all of that are associated with the Advaitan flavor of a void of conceptions.

Extra resources for A Sourcebook on African-American Performance: Plays, People, Movements

Sample text

BIG GIRL: Is that why Jackie boy is here? So he can so some messin’ ‘round? G. JACK: (stands) Well, I’ll be going. I see that… BIG GIRL: (rises and tugs his sleeve) Sit down an’ drink up, young blood. (pushes him back into his seat) There’s wine here… (slow and suggestive) …there’s a pretty girl here…you go for that, don’t you? JACK: It’s not that… 22 I THEATRICAL IN(TER)VENTIONS BIG GIRL: You go for fine little Clara, don’t you? JACK: Well, yes, I do… BIG GIRL: HAW HAW HAW… (slams the table and sloshes wine) … HAW HAW HAW… (slow and suggestive) …What I tell ya, Clara?

S-A-G-A, SUCKER! You college boys don’t know it all. Yeah, her folks had kicked her out and the little punk she was big for what had tried to put her out on the block and when that didn’t work out… (mocking and making pretended blushes…) because our sweet little thing here was soooo modest and sedate…the nigger split! …HAW HAW HAW…HE MADE IT TO NEW YORK! (She goes into a laughing, choking and crying fit. ) BABY GIRL: Big Girl! Big Girl! Big Girl! ) BIG GIRL: (catches her beath) Whatcha want, little sister?

Awwwk. Crunch. Loop. Question. Bablies. Deaths. Robots. Jobs, (they end by screaming in unison) LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT LIGHT. CRIMINAL: I understand you. You’re talking close to right now. Keep it up. Keep it up. (They begin jumping up and down in place, screaming at the top of their lungs. Jumping wildly, trying to reach the ceiling. ) FAMILY: LIGHT LIGHT LIGHT LIGHT LIGHT. CRIMINAL: (backs away from them) Light? What kind of place is this?

Download PDF sample

Rated 4.14 of 5 – based on 48 votes