By Thomas S. Hischak

Quantity 4 of the prestigious American Theatre: A Chronicle of Comedy and Drama sequence deals an intensive, candid, and interesting examine the theater in manhattan over the past a long time of the 20 th century.

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Additional info for American Theatre: A Chronicle of Comedy and Drama, 1969-2000

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The Negro Ensemble’s finest offering of the season was Trinidad poet Derek Walcott’s fascinating fantasy The Dream on Monkey Mountain (3-9-71, St. Marks), which had previously been seen in Trinidad, in Los Angeles, and at the O’Neill Playwrights Conference. On a West Indies isle, the poor charcoal peddler Makak (Roscoe Lee Browne) has been thrown into jail for disturbing the peace (he tore up a bar while yelling that God is black). There, he has a strange and beguiling dream that utilizes the jailer and the felons surrounding him.

The Irish actor, long considered the definitive interpreter of Beckett, performed selections from the absurdist author’s novels, poems, and plays. Alan Schneider directed the one-man show. Ming Cho Lee’s stark setting, consisting of a rock and a mesmerizing floor pattern (one critic called it a “swirling limbo”), was also commended. ” On the night before Frank McGrath (Ray Edelstein) is to marry, his brother Larry (Arlen Dean Snyder), a Roman Catholic priest who will perform the ceremony, arrives on a motorcycle with his mistress, Connie Antonelli (Pat Garrett).

The new Limited Gross Broadway Theatre Agreement, whereby producers in smaller Broadway houses limited the weekly gross to $25,000 and kept the top ticket price at $5 in order to get reduced union costs, was first attempted with the biographical flop Gandhi (10-20-70, Playhouse), which closed on opening night. The purpose of the agreement was to foster new and experimental work on Broadway, but Gandhi proved that no compromise with unions and theatregoers could make a bad play run. Gurney Campbell’s drama was less a play than a series of disjointed episodes and Gandhi quotations, and neither a capable performance by Jack MacGowran nor the direction by the capable Jose´ Quintero could save it.

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